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A few recent discoveries of long-lost works by Africa’s greatest contemporary artist, Ben Enwonwu, are leading to a reexamination of his legacy.
How is it that the works of a man who in 1949 would be named Africa’s greatest contemporary artist by Time magazine, would decades later be gathering dust, long-forgotten in an apartment in London or in a family house in Texas?
4 responses to “The Return Of Ben Enwonwu”
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Welcome
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Welcome back
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It is well
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So many similar cases out there.
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